As a result, artists build the lions display of these income through touring and live sounds. This will be correct when it comes down to larger functions as well: U2 tends to make 95% of their money through traveling and Garth Brooks tends to make 89% of their earnings through traveling.
Blake Robbins and Reed Duchscher pose an interesting matter: what’s the real time musical counterpart for creators? If YouTube is the Spotify (a diverse place to contact lots of people and accumulate lovers), how can creators better capture value from those followers in the manner that performers manage with touring? Continue reading “3,500,000 avenues in order to make minimal salary of $15,000 every year. Unless youre Drake or Beyonce, it’s tough to manufacture an income on streaming earnings.”